| Post production supervisor | Stefan Dülsner | |
| Post production supervisor | Silke Koßmehl | |
| Director of photography | Ralph Meiling
Interviews | Interviews |
| Director of photography | Jan Prahl | |
| Additional photography | Benjamin Raeder | |
| Additional photography | Thorsten Alt
1 DT | 1 DT |
| Steadicam operator | Lorenz Till Ackermann
ARRI Amira | ARRI Amira |
| 2nd assistant camera | Andrea Ramirez
2 DT | 2 DT |
| Costume designer | Wiebke Christin Lebus | |
| Director | Sergej Moya | |
| Editor | Stefan Newie
digitaler Schnitt (Avid) | digitaler Schnitt (Avid) |
| Assistant editor | Carsten Piefke | |
| Key grip | Pascal Perkams
5 DT | 5 DT |
| Gaffer | Richard Nitsche | |
| Lighting technician / electrician | Tom Sperling | |
| Lighting assistant | Anne Stubenrauch | |
| Key makeup artist/hair stylist | Nina Düffort | |
| Producer | Simone Adelsbach | |
| Producer | Jörg Hoppe | |
| Location scout | Lukas Gontovos | |
| Prop maker | Robert Wiesner | |
| Production manager | Wiebke Fromholz | |
| Assistant production manager | Christin Rutsch [1] | |
| Set manager/ floor manager | Nicola Kelly Hütter | |
| Archive producer | Janne Gärtner | |
| Production sound mixer | Benedikt Gaussling
4 Drehtage | 4 Drehtage |
| Production sound mixer | Simon Wolf
Vertretung | Vertretung |
| Production sound mixer | Manuel Vogt | |
| Sound re-recording mixer | Elias Struck
TV- und Kinomischung | TV- und Kinomischung |
| Sound designer | Elias Struck | |
| Commissioning editor | Outi Turunen | |
