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Nosferatu - Ein Film wie ein Vampir

    All titles (2)
    Documentary | 2021-2022 | arte, ZDF [de] | Germany

    Shooting data

    Filming regionsFrance, Germany - Bavaria, Germany - Berlin, Germany - Mecklenburg-Western Pomerania, Germany - North Rhine-Westphalia, Germany - Schleswig-Holstein, Slovakia, Switzerland - Appenzell Ausserrhoden

    Project data

    Brief synopsis

    On March 4, 2022, one of the most popular silent films will be 100 years old: "Nosferatu - A Symphony of Horror" by Friedrich W. Murnau. To mark the occasion, ARTE is dedicating a documentary to the work, exploring its successful continued life in various art forms such as music videos, films, paintings and comics: a 100-year presence in high and pop culture.

    "Nosferatu - A Symphony of Horror" (1922) is the quintessential ur-horror film and, as an uncertified Dracula adaptation, set many horror topoi that continue to resurface and be cited in pop culture today. What enabled "Nosferatu" to become a masterpiece of film history and how did its images develop such a long-lasting life of their own? What remakes did the film provoke, and how do today's creatives view this film?
    The documentary "Nosferatu - A Film Like a Vampire" takes the figure of Nosferatu as a shadow in the flesh on an adventurous journey through the 100-year history of the legendary film's impact, which as a visionary pandemic film is more relevant today than ever before.
    Nosferatu unites creepiness, trash and horror and has "infected" many artists who have their say here: from Werner Herzog to the German Gothic bands Nachtblut and Blutengel to Mark Benecke, chairman of the German Dracula Society, and Peri Baumeister, protagonist of the most successful German Netflix production "Blood Red Sky." The French feminist scene is also represented by the eccentric performer Ovidie.
    The documentary presents the film's original locations, visits the most important archival collections in Germany, France and Switzerland, allows both traditional film research and current feminist voices in cultural studies to have their say, and invites viewers on an imaginary ghost train ride through 100 years of film and music history.

    Crew

    ActivityNameComment
    AccountantDavid Göttfert
    ColoristThomas Maier [3]
    Director of photographyMatthias Barth
    Dreh der Sequenz in Erl
    Dreh der Sequenz in Erl
    Director of photographyStefan Pohl
    DirectorEric Brinkmann
    EditorStefan Pohl
    Music supervisorJens Quandt
    Music supervisorWolfgang Herold
    ProducerTill Derenbach
    Assistant to producerHanna Schulz
    Line producerAchim Strack
    Production managerLen Reddemann
    Production secretaryHanna Schulz
    ScreenwriterWilm Huygen
    Archive researchThembi Linn Hahn
    Sound recordist (non fiction)Sven Schwegler
    Sound supervisorWolfgang Herold
    Sound re-recording mixerBernhard Leimbrock
    Sound designerBernhard Leimbrock
    Commissioning editorNina Goslar

    Production companies

    CompanyComment
    United Creative Studio eG
    Entire postproduction via United Creative Studio eG, Frankfurt
    Entire postproduction via United Creative Studio eG, Frankfurt
    Zeitsprung Pictures GmbH (formerly Zeitsprung Entertainment GmbH)

    Facilities

    DepartmentCompanyComment
    Sound (Postproduction)Herold Studios GmbH

    TV-broadcast

    TypeCountryStationDate / TimeComment
    First showingGermanyarteWednesday, 09/03/2022, 10.05 PM