| Colorist | Jan Fecke | |
| Director of photography | Jan Fecke | |
| 1st assistant camera | Tanoa Brandenburg | |
| 2nd assistant camera | Marco Wiest | |
| 2nd assistant camera | Victoria Rausch | |
| Casting assistant | Nicola Scholz | |
| Director | Johanna Reimann | |
| 1st AD (local system) | Victor Kunze | |
| Editor | Tanoa Brandenburg | |
| Dolly grip | Regina Wiebe | |
| Gaffer | Kristian Erdmann | |
| Lighting technician / electrician | Philip Deutenbach | |
| Lighting technician / electrician | Janne Ebel | |
| Lighting technician / electrician | Dominik Böhm | |
| Lighting technician / electrician | Moritz Pflock | |
| Makeup artist / hair stylist | Evelina Witt | |
| Composer | Gabriel Gallardo Alarcon | |
| Composer | Daniel Wiest | |
| Production designer | Hannah Aschenbrenner | |
| Assistant production designer | Kristin 'Tin' Henrich | |
| Assistant production designer | Susan Peter | |
| Set manager/ floor manager | Antonia Grunicke | |
| Screenwriter | Johanna Reimann | |
| Screenwriter | Jan Fecke | |
| Screenwriter | Tanoa Brandenburg | |
| Screenwriter | Hannah Aschenbrenner | |
| Production sound mixer | Fabian Schmid [1] | |
| Boom operator | Myriam Schmidt | |
| Boom operator | Jane Nagler | |
| Sound designer | Richard Wellershoff | |
| Stunt coordinator | Damun Bagheri | |
