| Post production supervisor | Enrico Matthias | |
| Post production supervisor | Uli Kunz | |
| Director of photography | Lea Pech | |
| Gimbal system operator | Selim Sandikli | |
| 1st assistant camera | Andreas Baum [1] | |
| 2nd assistant camera | Jacob Bestgen | |
| DIT digital imaging technician | Simon Ermisch | |
| Costume designer | Sian Thorpe | |
| Director | Ali Tamim | |
| 1st AD (local system) | Laura Titze | |
| Editor | Gerard Canadas | |
| Key grip | Selim Sandikli | |
| Gaffer | Ulrike von Au | |
| Best boy electric | Lasse Frobese | |
| Lighting technician / electrician | Fee Strothmann | |
| Lighting technician / electrician | Samuel Hölscher | |
| Lighting technician / electrician | Phillip Hummel | |
| Lighting technician / electrician | Katherine Davies | |
| Lighting technician / electrician | Otis Witt | |
| Key makeup artist/hair stylist | Maria Ratzeburg | |
| Producer | Fridolin Lehmann | |
| Production designer | Judith Prollius | |
| Assistant production designer | Foelke Wagner | |
| Assistant production designer | Lisa Höffner | |
| Set builder | Alessandro de Nicola | |
| Line producer | Andrea Wohlfeil | |
| Assistant production manager | Vietduc Nguyen | |
| Assistant production manager | Alexander Mauch | |
| Unit manager (local system) | Anton Theune | |
| Screenwriter | Ali Tamim | |
| Production sound mixer | Bertold Budig | |
| Boom operator | Simon Ferber | |
| Boom operator | Patrique Degen | |
| Commissioning editor | Jule Broda | |
| Commissioning editor | Meike Klingenberg | |
