Post production coordinator | Michaela Berner | |
Director of photography | Carl-Friedrich Koschnick | |
Steadicam operator | Erwin Lanzensberger | |
1st assistant camera | Martin Schmachtel | |
Clapper/loader | Christian Stiendl | |
Still photographer | Petro Domenigg | |
Costume designer | Gudrun Schretzmeier | |
Costumer / wardrobe | Christine Ludwig | |
Additional costumers | Josipa Teklic | |
Director | Pepe Danquart | |
Script continuity | Alice Stengl | |
Editor | Britta Nahler | |
Key grip | Reto Loitzl | |
Gaffer | Ferdinand Stoiber | |
Best boy electric | Franz Hollaus | |
Lighting technician / electrician | Manuel Nevosad | |
Lighting technician / electrician | Roland Streitwieser | |
Lighting technician / electrician | Wolfgang Fraissl | |
Makeup artist / hair stylist | Daniela Skala Key makeup/Hair/SFX | Key makeup/Hair/SFX |
Production designer | Isidor Wimmer | |
Prop master | Johannes Slapa | |
Production manager | Stephanie Wagner [1] | |
Unit manager (local system) | Peter Altendorfer | |
Unit manager (local system) | Andreas Kispert 2. Hälfte des Filmes | 2. Hälfte des Filmes |
Screenwriter | Pepe Danquart | |
Screenwriter | Chris Kraus | |
Screenwriter | Mike Majzen | |
Screenwriter | Martin Daniel | |
Production sound mixer | Heinz K. Ebner | |
Boom operator | Dietmar Zuson | |
Second boom operator | Hubert Grissemann | |
Foley editor | Jan Cziharz | |
Puppets maker | Susanne Eppensteiner | |