| Post production supervisor | Jürgen Schneider
für Kopierwerk HADEKO | für Kopierwerk HADEKO |
| Director of photography | Fred Schuler [1] | |
| Costume designer | Peri De Braganca
historisch 1928 | historisch 1928 |
| Assistant costume designer | Martina Schall
historisch 1928 | historisch 1928 |
| Director | Romuald Karmakar | |
| Assistant editor | Oli Weiss | |
| Key grip | Stefan Rüsenberg | |
| Gaffer | Peter Hartl
Lichtkollektiv zusammen mit F.Süssmayr | Lichtkollektiv zusammen mit F.Süssmayr |
| Rigging gaffer | Oliver Bauer
Baubühne | Baubühne |
| Makeup artist / hair stylist | Wolfgang Böge | |
| Producer | Thomas Schühly | |
| Assistant to producer | Natalie Stelzl | |
| Production designer | Toni Lüdi | |
| Assistant production designer | Roland Wimmer | |
| Prop master | Renate Lohmann
für Teilbereiche | für Teilbereiche |
| Standby props | Pit Zaepernick | |
| Stand by set builder | Pit Zaepernick | |
| Scenic painter | Pit Zaepernick | |
| Production manager | Jimmy C. Gerum | |
| Screenwriter | Romuald Karmakar | |
| Screenwriter | Michael Farin | |
| Sound editor | Andre Bendocchi-Alves | |
| Special effects technician | Pit Zaepernick | |
