| Post production supervisor | Udo Happel
für Studio Babelsberg GmbH | für Studio Babelsberg GmbH |
| Colorist | Roland Fliß
inkl. Telecine/Filmabtastung | inkl. Telecine/Filmabtastung |
| Director of photography | Peter Przybylski | |
| Steadicam operator | Christof Wahl | |
| Assistant costume designer | Nicole Hutmacher | |
| Director | Christian Alvart | |
| Editor | Philipp Stahl | |
| Assistant editor | Jonathan Schmidt-Ott | |
| Key grip | Jan Brun
key grip | key grip |
| Gaffer | Timm Brückner
1/2 Drehzeit | 1/2 Drehzeit |
| Gaffer | Andreas Ripcke
zeitweise | zeitweise |
| Gaffer | Marc Lubosch
4 Tage | 4 Tage |
| Best boy electric | Peter Kramer
für A. Ripcke | für A. Ripcke |
| Lighting technician / electrician | Mark Müller | |
| Lighting technician / electrician | Oli Koch
35mm, KM: Peter Przybylski | 35mm, KM: Peter Przybylski |
| Lighting technician / electrician | Guntram Franke | |
| Lighting technician / electrician | Jörn Christian Novotny
mit Timm Brückner | mit Timm Brückner |
| Composer | Wolfgang Thomas | |
| Composer | MichL Britsch | |
| Production designer | Holger Reibiger | |
| Set builder | Sibylle Kappes | |
| Production manager | Che André Bergendahl | |
| Assistant production manager | David Bergendahl
während des Drehs Catering | während des Drehs Catering |
| Set manager/ floor manager | Mike Dehghan | |
| Screenwriter | Christian Alvart | |
| Sound re-recording mixer | Chris Müller [1] | |
| Sound designer | Chris Müller [1] | |
| Assistant sound designer | Nadja Schulz | |
| Sound editor | Nadja Schulz
Ass. O-Ton Edit, Sound Design | Ass. O-Ton Edit, Sound Design |
| Stunt coordinator | Asuka Tovazzi
Double HD | Double HD |
