Director of photography | Reinhold Vorschneider | |
1st assistant camera | Nino Volpe | |
2nd assistant camera | Anne Preßler | |
Casting director | Ulrike Müller | |
Costume designer | Anette Guther | |
Director | Angela Schanelec | |
Editor | Bettina Böhler | |
Assistant editor | Julia Dupuis | |
Gaffer | Justus Hasenzahl Tavares | |
Lighting technician / electrician | Matthias Pilz Zusatzbeleuchter | Zusatzbeleuchter |
Lighting technician / electrician | Marc Wiesenthal | |
Additional electrician | Jan Umpfenbach | |
Producer | Angela Schanelec | |
Producer | Gian-Piero Ringel | |
Executive producer | Gian-Piero Ringel | |
Production designer | Ingo Klier Regie: Angela Schandelec | Regie: Angela Schandelec |
Art director | Tom Bewermeier | |
Standby props | Franziska Bolze | |
Property driver | Michél Canjé | |
Line producer | Hans-Jörg Kopp | |
Production manager | Gian-Piero Ringel | |
Assistant production manager | Anja Marquardt | |
Assistant production manager | Ben von Dobeneck | |
Unit manager (local system) | Mathias Langwich | |
Set manager/ floor manager | Matthias Bittner | |
Production assistant | Sven Großmann | |
Production assistant | David Flemming Daily Crew | Daily Crew |
Production driver | Silke Werner | |
Screenwriter | Angela Schanelec | |
Literary source | Anton Chekhov The Seagul | The Seagul |
Production sound mixer | Johannes Grehl | |
Boom operator | Benjamin Benny Dunker | |
Commissioning editor | Jörg Schneider [1] | |