Production accountant | Maria Schwerdt | |
Screen designer | Armando Zeitz +Computereinspielungen | +Computereinspielungen |
Technical assistant | Martin Noweck | |
Director of photography | Helmut Pirnat | |
1st assistant camera | Oliver Roth [2] | |
2nd assistant camera | Katrin Krammer | |
Video assist/playback operator | Kian Hosseingholinouri | |
Still photographer | Marco Nagel | |
Still photographer | Heike Ulrich | |
Casting director | Silke Fintelmann | |
Costume designer | Walter Schwarzmeier | |
Assistant costume designer | Monika Gebauer | |
Costumer / wardrobe | Nina Fanderl | |
Additional costumers | Manuela Bönecke | |
Director | David Nuran Calis | |
1st AD (local system) | Jacqueline Winkel | |
Crowd 2nd AD (local system) | Volker Petters | |
Script continuity | Andrea Schorr | |
Key grip | Florian Speer | |
Gaffer | Josef Wollinger | |
Lighting technician / electrician | Hendrik Jansen | |
Lighting technician / electrician | Bernadette Weinzierl | |
Lighting technician / electrician | Andy Feiler Gripassistent | Gripassistent |
Lighting technician / electrician | Nikolaus Pirchtner | |
Makeup artist / hair stylist | Verena Weißert | |
Makeup artist / hair stylist | Christina Baier | |
Producer | Uli Aselmann | |
Producer | Sophia Aldenhoven | |
Production designer | Johannes Sternagel | |
Prop master | Kerstin Grund | |
Standby props | Monika Maier | |
Set builder | Michael Bleier | |
Set builder | Hermann Maier | |
Property driver | Simon Fischer | |
Art department trainee | Julian Herrmann | |
Line producer | Andreas Ch. Tönnessen | |
Production manager | Thomas Blieninger | |
Assistant production manager | Ines Bauer | |
Set manager/ floor manager | Manuel Kreuzpaintner | |
Assistant set/floor manager | Przemek Abraham Praktikant der Set AL | Praktikant der Set AL |
Production driver | Florian Leonhardt | |
PA intern | Cecile Lichtinger | |
Screenwriter | David Nuran Calis | |
Production sound mixer | Peter Preuss 2. Hälfte des Drehs | 2. Hälfte des Drehs |
Production sound mixer | Rolf Ruffer | |
Commissioning editor | Cornelia Ackers | |