| Director of photography | Klaus Merkel | |
| 1st assistant camera | Dariusz Brunzel | |
| 2nd assistant camera | Karl Keil
16 mm | 16 mm |
| Costume designer | Anneke Troost | |
| Costumer / wardrobe | Frank Specht | |
| Costumer / wardrobe | Gudula Schmidt | |
| Director | Maris Pfeiffer | |
| 1st AD (local system) | Regina Spreer | |
| Editor | Ute Astrid Rall | |
| Online editor | Matthias Albrecht | |
| Assistant editor | Bianca Dienemann-Mehlitz | |
| Lighting technician / electrician | Peter Jagemann | |
| Makeup artist / hair stylist | Helmut Rühl | |
| Composer | Francesco Tortora | |
| Producer | Norbert Sauer | |
| Producer | Michaela Nix | |
| Set decorator | Karl-Hermann Reith | |
| Prop master | Stefan Desira | |
| Standby props | Wolfgang Stadler | |
| Property driver | Carmelo Garcia Ramos | |
| Line producer | Klaus Michael Kühn | |
| Production manager | Christian Scheerer | |
| Production manager | Jürgen Schmidt | |
| Set manager/ floor manager | Ender Firat | |
| Production assistant | Jan Bludau
Set-AL Assi. | Set-AL Assi. |
| Assistant set/floor manager | Kati Strang | |
| Screenwriter | Gerlinde Wolf | |
| Screenwriter | Jürgen Pomorin (aka Leo P. Ard) | |
| Screenwriter | Birgit Grosz | |
| Production sound mixer | Erich Lutz | |
| Boom operator | Lasse Viehöfer | |
| Sound designer | Miles Kann | |
| Sound designer | Christoph Oertel
+ O-Tonbearbeitung | + O-Tonbearbeitung |
| Dialogue editor | Christoph Oertel | |
| Foley artist | Peter Deininger | |
| Stuntman/woman | Jürgen Klein | |
| Commissioning editor | Günther van Endert | |
