| Colorist | Kyrill Ahlvers | |
| Director of photography | Kyrill Ahlvers
35mm - 2 perf, ARRICAM LT + Master Anamorphic | 35mm - 2 perf, ARRICAM LT + Master Anamorphic |
| Additional photography | Josua Staebler | |
| 1st assistant camera | Hendrik Jansen
Arricam LT & ARRI 235 / Anamorph | Arricam LT & ARRI 235 / Anamorph |
| 2nd assistant camera | Linus Meyer | |
| Costume designer | Cecilia Finking | |
| Assistant costume designer | Clelia Schäfer | |
| Director | Thomas Bergmann [1] | |
| 1st AD (local system) | Hagen Wagner | |
| Key grip | Alexandros Patikidis | |
| Gaffer | Stefan Bodenhaupt | |
| Best boy electric | Alexandros Patikidis | |
| Lighting technician / electrician | Nils Otte | |
| Lighting technician / electrician | Anton Meier | |
| Lighting technician / electrician | Gunnar Kämmerer | |
| Makeup artist / hair stylist | Melissa Yilmaz | |
| Producer | Daniel Zimmermann | |
| Producer | Paul Kiesel | |
| Producer | Oliver Berberich | |
| Production designer | Marian Korenika | |
| Assistant set decorator | Christian Himmelsbach | |
| Standby props | Ruth Breuer | |
| Line producer | Kyrill Ahlvers | |
| Screenwriter | Hagen Wagner | |
| Production sound mixer | Julian Lindenmann | |
| Boom operator | Jannis Dornheim | |
| Sound re-recording mixer | Volker Armbruster
Kinoversion | Kinoversion |
| Sound re-recording mixer | Moritz Drath | |
| Sound designer | Moritz Drath | |
| Foley artist | Volker Armbruster | |
| Pr photographer | Josua Staebler | |
