| Production accountant | Jennifer 'Jenny' Guillermain | |
| Post production supervisor | Stefan Engelkamp | |
| Post production supervisor | Corinna Ziller | |
| Director of photography | Axel Schneppat | |
| Director of photography | Michael Hammon | |
| 1st assistant camera | Martin Langner | |
| Still photographer | David Baltzer | |
| Casting director | Annette Lohmann | |
| Casting assistant | Mira Awand | |
| Casting assistant | Ursula Eitner | |
| Costume designer | Sven Bindseil | |
| Assistant costume designer | Ulrike Tränkle | |
| Costume interpreter | Daniela Bimek
diverse Kostümanfertigungen | diverse Kostümanfertigungen |
| Costume department coordinator | Antje Sternberg | |
| Costume design trainee | Ariane Gärtner | |
| Director | Jutta Doberstein | |
| Director | Caterina Klusemann
Co-Regie | Co-Regie |
| Director | Volker Heise | |
| 1st AD (local system) | Kai Nicola Werner | |
| Editor | Annette Muff | |
| Editor | Wolfram Kohler | |
| Assistant editor | Christina Preussker | |
| Assistant editor | Maike Hausding | |
| Editing trainee | Christoffer Schulz | |
| Key grip | Tobias Kaufmann | |
| Crane operator | Marc Hennicke | |
| Lighting technician / electrician | Martin Roth [1] | |
| Composer | Maurus Ronner | |
| Producer | Thomas Kufus | |
| Production designer | Gabriella Ausonio
historisch 1927 | historisch 1927 |
| Assistant production designer | Birgit Krah | |
| Set decorator | Matthias Erbacher | |
| Standby props | Karola Rückholz | |
| Set builder | Gerd Arndt | |
| Art department trainee | Bea Kosubek | |
| Production manager | André Kotte
16 x 30 Minuten/ historisch 1920 | 16 x 30 Minuten/ historisch 1920 |
| Assistant production manager | André Hoffmann | |
| Assistant production manager | Corinna Ziller | |
| Assistant production manager | Clarice de Castro | |
| Unit manager (local system) | Antje Krutz | |
| Production assistant | Michael Segebarth | |
| Production driver | Arian Uting | |
| Production driver | Holger Ewert | |
| Production driver | Tom Strelow | |
| Researcher | Sarah Schill
Komparsencast | Komparsencast |
| Enquiry assistance | Steffi Schulze | |
| Production sound mixer | Paul Oberle | |
| Boom operator | Oliver Lumpe | |
| Boom operator | Helen Neikes
Sound editing | Sound editing |
| Boom operator | Herbert Wüst | |
| Sound re-recording mixer | Reinhard Sydow | |
| Supervising sound editor | Helen Neikes | |
| Dialogue editor | Heidi Reuscher | |
| Commissioning editor | Rosemarie Wintgen | |
| Marketing, public relations | Enno Wiese | |
