| Production accountant | Sam Scowcroft | |
| 3rd AD | Sparky Tehnsuko | |
| Director of photography | Ulrich Burtin | |
| 2nd unit dop | Markus Ilschner | |
| 1st assistant camera | Markus Ilschner
16mm schwarz/weiß | 16mm schwarz/weiß |
| Clapper/loader | Jean Ash | |
| Video assist/playback operator | Mustafa Bulman Arsehit | |
| Camera trainee | Kathryn Vinclaire | |
| Casting director | Nicci Topping | |
| Casting assistant | Sherelle Armstrong | |
| Costume designer | Sophie Baillavoine | |
| Costume supervisor | Grace Elliston | |
| Costume design trainee | Fernando Fontes | |
| Director | Odilon Rocha | |
| 2nd unit director | Philippe Audi-Dor | |
| 1st AD (local system) | Robyn Barresi | |
| Crowd 2nd AD (local system) | Philippe Audi-Dor | |
| Script supervisor | Giulia Patané | |
| Editor | Andre Finotti | |
| Grip | Jake Butt | |
| Gaffer | Angelika Padberg | |
| Best boy electric | Adrian Atkinson | |
| Lighting technician / electrician | Xenia Moliner Roldan | |
| Executive producer | Stephan DuCharme | |
| Producer | Clare Cahill | |
| Assistant-/ junior-producer | Martyna Przybysz | |
| Production designer | Angel Parmar | |
| Assistant production designer | Mathilde Jovanovic | |
| Production supervisor | Lori Baker | |
| Production supervisor | Lucinda Van Rie | |
| Production coordinator | Vanessa Hartmann | |
| PA intern | Fynn Collins | |
| Set runner | Paul Smith [2] | |
| Screenwriter | Odilon Rocha | |
| Production sound mixer | Simon Hornett | |
| Boom operator | Simon Normon | |
