| Production accountant | Sandra Zentgraf | |
| Post production coordinator | Malte Hadeler | |
| Director of photography | Jürgen Rehberg | |
| Director of photography | Michael Kern
Interviews Zeitzeugen in Leningrad | Interviews Zeitzeugen in Leningrad |
| Director of photography | Thomas Bresinsky | |
| 2nd unit dop | Marc Riemer
Dreh Vilnius | Dreh Vilnius |
| 2nd assistant camera | Carolin Jahn | |
| 2nd assistant camera | Max Rainer | |
| Casting director | Mariana Mo Jäger | |
| Director | Christian Frey | |
| Director | Carsten Gutschmidt
Szenischer Teil | Szenischer Teil |
| 1st AD (local system) | Mariana Mo Jäger
Szenisch 12 DT Litauen, Casting | Szenisch 12 DT Litauen, Casting |
| Assistant editor | Malte Hadeler | |
| Key grip | Rene Zander | |
| Gaffer | Torsten Häfner | |
| Lighting technician / electrician | Marco Bruno | |
| Lighting technician / electrician | Niko Mölter | |
| Key makeup artist/hair stylist | Yvonne Oppermann | |
| Makeup artist / hair stylist | Ina Charanza | |
| Producer | Reinhardt Beetz | |
| Producer | Paul Jannis Wiederhold | |
| Producer | Christian Kaps | |
| Production designer | André Barthel
szenischer Teil/ Fictionszenen | szenischer Teil/ Fictionszenen |
| Production designer | Dennis Duis | |
| Standby props | Sabine Richter | |
| Location scout | Andrea Giesel
Niedersachsen | Niedersachsen |
| Stand by set builder | Erik Hennig | |
| Graphic artist | Manuel Assenow | |
| Property driver | Marius Jacob
Historisch (1942) | Historisch (1942) |
| Production manager | Stefan Hoffmann | |
| Production manager | Stefanie Nowak | |
| Production coordinator | Lilly Hartmann | |
| Assistant production manager | Bettina Kinski | |
| Unit manager (local system) | Jörn Stiefermann | |
| Set manager/ floor manager | Axel Bierstedt | |
| Assistant set/floor manager | Mirco Zurek-Wesenberg | |
| Screenwriter | Christian Frey | |
| Screenwriter | Caleb Ranson | |
| Production sound mixer | Thomas Funk | |
| Research | Paul Jannis Wiederhold | |
