| Director of photography | Vita Spieß | |
| Director of photography | Frank Amann | |
| Drone camera operator | Justin Peach | |
| 1st assistant camera | Seweryn Zelazny | |
| 2nd assistant camera | Tim Bieker
2 Drehtage | 2 Drehtage |
| 2nd assistant camera | Christine Wetzel | |
| Casting director | Christiane Plum
historical roles | historical roles |
| Costume designer | Silvia Albarella
Historisch 1000-1933 | Historisch 1000-1933 |
| Assistant costume designer | Kerstin Junge | |
| Costumer / wardrobe | Nicola Hoffmann | |
| Additional costumers | Yamay Blanco | |
| Costume design trainee | Fabia Röhrig | |
| Director | Andrzej Klamt
Dokumentar-Teil | Dokumentar-Teil |
| Director | Gordian Maugg | |
| 1st AD (local system) | Florian Schwombeck
Historisch 1000-1933 | Historisch 1000-1933 |
| Editor | Armin Riegel | |
| Editor | Justin Peach | |
| Best boy electric | Torsten Melchior | |
| Lighting technician / electrician | Tarik Dorbane | |
| Makeup artist / hair stylist | Su Müller | |
| Makeup artist / hair stylist | Sabine Finger
historisch | historisch |
| Producer | Andrzej Klamt | |
| Production designer | Babett Klimmeck | |
| Assistant production designer | Lili Wittich | |
| Prop master | Philip Ihrlich
historisch 999 - 1933 | historisch 999 - 1933 |
| Location manager (local system) | Jenny Müller
+ Assistenz 1. Aufnahmeleitung | + Assistenz 1. Aufnahmeleitung |
| Set manager/ floor manager | Chris Schlaadt
szenische Teile | szenische Teile |
| Archive research | Daniel Giesen | |
| Production sound mixer | Torsten Lenk | |
| Boom operator | Florian Häfner | |
| Sound re-recording mixer | Andreas Radzuweit | |
| Sound designer | Moritz Corell | |
