Production accountant | Katrin Voigt [1] | |
Director of photography | Michael 'Mitch' Boxrucker | |
Steadicam operator | Erwin Lanzensberger | |
1st assistant camera | Dariusz Brunzel | |
2nd assistant camera | Matthias John 1 Tag B Focus | 1 Tag B Focus |
Steadicam focus puller | Michael Hauptfleisch Zusatz | Zusatz |
Costume designer | Christoph Birkner | |
Assistant costume designer | Marlene Pleyl | |
Costumer / wardrobe | Lena Parusel Historisch | Historisch |
Director | Matthias Steurer | |
Script supervisor | Silvia Ladopoulos | |
Editor | Thomas Knöpfel | |
Key grip | Dominik Müller | |
Grip | Olav Kramp | |
Gaffer | Christian 'Spanier' Weischer | |
Lighting technician / electrician | Katharina Ziegler | |
Lighting technician / electrician | Tobias Speidel Best Boy | Best Boy |
Lighting assistant | Olav Kramp | |
Makeup artist / hair stylist | Jeannette Tripodi | |
Composer | Siggi Mueller | |
Producer | Sven Burgemeister | |
Producer | Marcus Roth | |
Production designer | Günther Gutermann | |
Prop master | Hermann Größ Historisch, 17. JH | Historisch, 17. JH |
Standby props | Bea Kosubek | |
Line producer | Marion Dany | |
Unit manager (local system) | Philipp Alzmann | |
Location manager (local system) | Lucia von Mörl | |
Assistant set/floor manager | Florian Kroiss | |
Production driver | Alexander Oberhauser | |
Screenwriter | Su Turhan | |
Literary source | Brüder Grimm | |
Production sound mixer | Michael Vetter | |
Boom operator | Klaus Hobby | |
Commissioning editor | Andreas M. Reinhard | |
Commissioning editor | Monika Gröller | |