| Production accountant | Ulla Dorny | |
| Production accountant | Monika Kozlowski | |
| Director of photography | Raoul Coutard | |
| 1st assistant camera | André Clement | |
| 2nd assistant camera | Judith Kaufmann | |
| Still photographer | Baernd Fraatz | |
| Costume designer | Sabine Jesse | |
| Costumer / wardrobe | Mischi Felkeneyer | |
| Director | Pia Frankenberg | |
| 1st AD (local system) | Hans Schönherr | |
| Assistant to director | Thomas Struck | |
| Script continuity | Angelika Krantz | |
| Editor | Bettina Böhler | |
| Assistant editor | Andrea Wimmer | |
| Key grip | Trevor Watkins | |
| Gaffer | Gunther Damm | |
| Lighting technician / electrician | Hans-Werner Huhnke | |
| Makeup artist / hair stylist | Rolf Baumann
Kino | Kino |
| Composer | Horst Mühlbradt | |
| Producer | Pia Frankenberg | |
| Production designer | Christian Bussmann
Production design | Production design |
| Prop master | Ingrid Gnade | |
| Standby props | Holger Steinhauer-Zernitz | |
| Set builder | Dieter Wertz | |
| Set builder | Reinhard Twardy | |
| Production manager | Jan Brandt [1] | |
| Unit manager (local system) | Jessica Davies | |
| Set manager/ floor manager | Birgit Köhnke | |
| Production driver | Thomas Vosseler | |
| PA intern | Christian Melüh | |
| Screenwriter | Pia Frankenberg | |
| Production sound mixer | Wolfgang Schukrafft | |
| Boom operator | Jochen Hergersberg | |
| Special effects supervisor | Harry Wiesenhaan | |
| Dialogue coach | Mary Dostal | |
