| Post production supervisor | Clarens Grollmann | |
| Vfx supervisor | Alex Lemke | |
| VFX technical director | Michael Grobe
3D Lead Artist, On-Set Consulting | 3D Lead Artist, On-Set Consulting |
| 3d artist | Alex Schott
VFX Artist @ ARRI | VFX Artist @ ARRI |
| 3d artist | Michael Grobe
Lead Artist, On-Set Consulting | Lead Artist, On-Set Consulting |
| Director of photography | Dixie Schmiedle | |
| Motion control operator | Mitch Enzmann | |
| 1st assistant camera | Katharina Nobis | |
| Video assist/playback operator | Korkut Akir | |
| Director | Michael Pohl | |
| 1st AD (local system) | Paul J. Milbers | |
| Script continuity | Sabine Utz | |
| Editor | Uli Schön | |
| Dimmer board operator | Beda Mulzer
ARRI-Studio | ARRI-Studio |
| Lighting technician / electrician | Tobias Speidel | |
| Lighting technician / electrician | Matthias 'Mattes' Boch
Vorbau, Zusatz | Vorbau, Zusatz |
| Lighting trainee | Namche Okon | |
| Composer | Philipp Fabian Kölmel | |
| Executive producer | Clarens Grollmann | |
| Standby props | Markus Bungert | |
| Prop designer | Tim Ketzer | |
| Line producer | Clarens Grollmann | |
| Production manager | Clarens Grollmann | |
| Assistant production manager | Francois Michel Croissant | |
| Set manager/ floor manager | Felix Foehr | |
| Production sound mixer | Thorsten Bolzé | |
| Boom operator | Sebastian Riegel | |
| Special effects supervisor | Christian Bibi Bierling | |
