| Accountant | Shawn Fleming | |
| Assistant production accountant | Shona Paton | |
| AD PA | Duncan Leishman | |
| AD PA | Alan Manson | |
| Post production coordinator | Andrew Dearnley | |
| Director of photography | Yoliswa von Dallwitz | |
| 1st assistant camera | Anna Benbow | |
| DIT digital imaging technician | Grant McPhee | |
| Still photographer | Colin Tennant | |
| Camera trainee | Lewis McInnes | |
| Casting director | Kahleen Crawford | |
| Costume designer | Rebecca Gore | |
| Assistant costume designer | Jade Armstrong | |
| Director | Scott Graham | |
| 1st AD (local system) | Kathleen Wishart | |
| Crowd 2nd AD (local system) | Carol-Anne Henderson | |
| 3rd AD crowd (local system) | Graham Drover | |
| Script supervisor | Dolina MacFarlane | |
| Editor | Rachel Tunnard | |
| Assistant editor | Ed Coltman | |
| Key grip | Robert Etherson | |
| Gaffer | Donny Campbell | |
| Best boy electric | Arthur Donnelly | |
| Lighting technician / electrician | Frank McConalogue | |
| Makeup artist / hair stylist | Lone Bidstrup Knudsen | |
| Assistant makeup artist | Paula Rebanks | |
| Producer | Margaret Matheson | |
| Production designer | James Lapsley | |
| Art director | Stephen Bryce | |
| Art director | Laurel Wear | |
| Assistant art director | Andrei Staruiala | |
| Construction coordinator | Gordon Rogers | |
| Set dresser | Tom Tierney | |
| Stand by set builder | Colt McInnes | |
| Line producer | Suzanne Reid | |
| Production coordinator | Lindsay Goodall | |
| Screenwriter | Scott Graham | |
| Production sound mixer | Chris Campion | |
| Boom operator | Andy Walsh | |
| Sound editor | Douglas MacDougal | |
