Production accountant | Andreas Niederau-Kaiser | |
Director of photography | Hans Häßler 4k (Vorprod. u. 1.-9. sowie 12. Drehtag) | 4k (Vorprod. u. 1.-9. sowie 12. Drehtag) |
Director of photography | Guido Möller 13. - 45. Drehtag | 13. - 45. Drehtag |
Motion control dop | Hans Häßler | |
Steadicam operator | Stefan Schäfer MK-V AR | MK-V AR |
Steadicam operator | Benedikt Schneider Red One 4K | Red One 4K |
1st assistant camera | Robert Nickolaus RedOne4K + Schneider MKII | RedOne4K + Schneider MKII |
2nd assistant camera | Jens Koetschau RED One MX | RED One MX |
2nd assistant camera | Felix Seeburger | |
Costume designer | Maria Kunze | |
Assistant costume designer | Sarah Rung | |
Director | Peter Heinz | |
Director | Ahmet Tas | |
Director | Stefan Hossfeld | |
1st AD (local system) | Rene Petit Regieassistenz (+ 7 Monate Vorproduktion) | Regieassistenz (+ 7 Monate Vorproduktion) |
1st AD (local system) | Enno Osburg 1. AD (im gesamten Drehzeitraum) | 1. AD (im gesamten Drehzeitraum) |
Script supervisor trainee | Julia Kragh | |
Key grip | Benedikt Schneider | |
Grip | Julia Zisser | |
Grip trainee | Jonas Engel [1] | |
Gaffer | Marc Pettersen | |
Lighting technician / electrician | Hannes Adam | |
Lighting technician / electrician | Christian D. Schmidt | |
Additional electrician | Johannes Reichau erste 14 Tage | erste 14 Tage |
Key makeup artist/hair stylist | Jucy Burns | |
Assistant makeup artist | Verena Sauer | |
Producer | Arne Busch | |
Producer | Ahmet Tas | |
Production manager | Burak Erel | |
Unit manager (local system) | Burak Erel | |
Set manager/ floor manager | Michel Jung | |
Script doctor | Wolf Kunik | |
Production sound mixer | Marco Ernst | |
Foley artist | Verena Kunert | |