Vfx supervisor | Florian Isopp | |
Title designer | Svenja Eisenbraun | |
Colorist | Nils Petersen | |
Technical manager | Frank Breest | |
Director of photography | Carolin Biedermann A Cam | A Cam |
Director of photography | Katharina Fast | |
1st assistant camera | Christoph Beckmerhagen | |
1st assistant camera | Sebastian Knoll Panasonic AGAF101 | Panasonic AGAF101 |
Still photographer | Kathrin Stahl | |
Costume designer | Lisa Blanken | |
Director | Kay Zywietz | |
Director | Daniel Hillebrandt | |
Script | Alice Martin | |
Editor | Daniel Hillebrandt | |
Editor | Kay Zywietz | |
Dramaturgical editing advisor | Gisela Gondolatsch | |
Key grip | Gero-Alexander Görke | |
Gaffer | Kai Lindemann | |
Best boy electric | Matthias Emmrich | |
Lighting technician / electrician | Marvin Dau | |
Lighting technician / electrician | Luise Holtz | |
Makeup artist / hair stylist | Jucy Burns | |
Composer | Ben R. Hansen | |
Executive producer | Ulrike Dobelstein-Lüthe | |
Prop master | Ronja Rabe | |
Line producer | Norbert Skrovanek | |
Production manager | Benjamin Behre | |
Assistant production manager | Ronja Rabe | |
Unit manager (local system) | Silvia Matschull | |
Set manager/ floor manager | Christian Bauer [2] | |
Assistant set/floor manager | Claudiu-Mark Draghici | |
Assistant set/floor manager | Johanna Magdalena Schulz | |
Production driver | Michael Whemschulte | |
Set runner | Oguz Teoman | |
Screenwriter | Alice Martin | |
Production sound mixer | Ray Böge | |
Boom operator | Janosch Woschek | |
Sound re-recording mixer | Rolf Manzei | |
Sound designer | Rolf Manzei | |