Production accountant | Carmen Looker England | England |
Post production supervisor | Michaela Krauß | |
Director of photography | Hartmut E. Lange | |
1st assistant camera | Marco Müller [1] | |
2nd assistant camera | Stefan Herzog Focus Puller (2DT) | Focus Puller (2DT) |
Costume designer | Claudia Kühlke England | England |
Assistant costume designer | Sabine Bockmeyer | |
Costumer / wardrobe | Stefanie Hamann | |
Director | Dieter Kehler | |
1st AD (local system) | Verena Späth | |
Script continuity | Ilona Probst | |
Assistant editor | Tobias Materna | |
Key grip | Peter Wilhelm | |
Gaffer | Wolfgang Erdmann | |
Lighting technician / electrician | Enver Fidan | |
Lighting technician / electrician | Alexander Damaschke | |
Lighting assistant | Max Smeaton | |
Lighting trainee | Lukas Smeaton | |
Makeup artist / hair stylist | Kerstin Kreutzer | |
Makeup artist / hair stylist | Stefanie Baumann | |
Makeup artist / hair stylist | Steffi Baumann | |
Composer | Richard Blackford | |
Producer | Michael Smeaton | |
Producer | Heidi Ulmke | |
Producer | Vanessa Lackschéwitz | |
Production designer | Robert Foster | |
Location scout | Roger Elliott | |
Line producer | Beate Balser | |
Line producer | Elvira Bolz | |
Calculation | Herbert Jarczyk-Kalman | |
Production coordinator | Veronika Kruse | |
Unit manager (local system) | Anja Samy | |
Location manager (local system) | Roger Elliott | |
Set manager/ floor manager | Lutz Meier-Ewert | |
Screenwriter | Martin Wilke | |
Production sound mixer | Olav Gross | |
Boom operator | Matthias Obergarz | |
Commissioning editor | Andrea Klingenschmitt | |