Colorist | Sandor Nagy | |
Director of photography | Emma Rosa Simon | |
1st assistant camera | Albrecht von Grünhagen 16mm / SR 3 | 16mm / SR 3 |
2nd assistant camera | Moritz Schmitz von Hülst ARRI SR3 | ARRI SR3 |
Costume designer | Manja Beneke | |
Director | Marylise Dumont | |
1st AD (local system) | Leonie Röll | |
Script | Ann-Marleen Barth | |
Editor | Gregor Bartsch | |
Key grip | Max Preiss | |
Lighting technician / electrician | Nicolai Wolf | |
Lighting technician / electrician | Franz Teresiak | |
Composer | Florian Reverey | |
Composer | Julian Cropp | |
Producer | Jakob D. Weydemann | |
Producer | Jonas Weydemann | |
Producer | Marieke Bittner | |
Executive producer | Jonas Weydemann | |
Executive producer | Marieke Bittner | |
Production designer | Saga Fermin | |
Line producer | Myriam Eichler | |
Assistant production manager | Katja Turley | |
Unit manager (local system) | Torsten Grams | |
Set manager/ floor manager | Simon Lubinski | |
PA intern | Lukas Entezami | |
Screenwriter | Marylise Dumont | |
Production sound mixer | Julian Cropp | |
Boom operator | Tobias Bilz | |
Boom operator | Carsten Schulz [1] | |
Sound re-recording mixer | Oliver Schmerwitz | |
Sound designer | Oliver Schmerwitz | |