| Production accountant | Petra Junk | |
| Director of photography | Theo Bierkens | |
| Still photographer | Wolfgang Jahnke | |
| Costume designer | Rosemarie Hettmann | |
| Costumer / wardrobe | Corinna Rüchardt | |
| Additional costumers | Sarah Beckmann
historisch 1940 | historisch 1940 |
| Director | Michael Verhoeven | |
| Script continuity | Jochen Nitsch | |
| Editor | David Freeman | |
| Assistant editor | Christoph von Schönburg | |
| Key grip | Klaus Niemeier | |
| Best boy electric | Arno Sieberger | |
| Production designer | Javor Lorant | |
| Art director | Wolfgang Hundhammer | |
| Standby props | Claude Garnier | |
| Assistant stand by props | Sarah Beckmann
historisch 1940 | historisch 1940 |
| Unit manager (local system) | Inga Meyer | |
| Set manager/ floor manager | Ruben Hanne | |
| Screenwriter | Michael Verhoeven | |
| Story | George Tabori | |
| Production sound mixer | Johannes Rommel | |
| Boom operator | Peter Tichawsky | |
| Sound editor | Christoph von Schönburg
Music Editor / Sound Supervisor (DF) | Music Editor / Sound Supervisor (DF) |
