| Production accountant | Corinna Wollmann
Postproduction | Postproduction |
| Production accountant | Ursula Gaida | |
| Post production supervisor | Melanie Berke | |
| Director of photography | Florian Ballhaus | |
| Costume designer | Anja Niehaus
Kinofilm | Kinofilm |
| Assistant costume designer | Katrin Unterberger | |
| Costumer / wardrobe | Georgia Prem | |
| Costumer / wardrobe | Valeska Zecher
2. Hälfte | 2. Hälfte |
| Director | Robert Schwentke | |
| Script continuity | Lucy Fricke | |
| Editor | Hans Funck | |
| Assistant editor | Andschana Eschenbach | |
| Key grip | Trevor Watkins | |
| Grip | Hanno Olderdissen | |
| Gaffer | Voxi Bärenklau
Lighting Designer | Lighting Designer |
| Lighting technician / electrician | Oliver Haas | |
| Lighting technician / electrician | Richard Nitsche | |
| Lighting technician / electrician | Dirk Domcke | |
| Lighting assistant | Sven Trebus | |
| Producer | Oliver Huzly | |
| Producer | Reinhard Klooss | |
| Assistant to producer | Katia Hermann | |
| Production designer | Patrick Steve Müller | |
| Prop master | Jost Brand-Hübner | |
| Standby props | Marco 'Hunter' Minierski | |
| Property assistant | Julia Barberi | |
| Location scout | Roland Gerhardt | |
| Property driver | Alex Lambriev | |
| Line producer | Anne Leppin | |
| Assistant production manager | Simone Embacher | |
| Unit manager (local system) | Gernot Sprenger | |
| Set manager/ floor manager | Daniel Funke | |
| Production assistant | Christoph Herkenrath
Set | Set |
| Screenwriter | Robert Schwentke | |
| Production sound mixer | Bernd von Bassewitz | |
| Boom operator | Christian Lutz | |
| Supervising sound editor | Hanse Warns | |
