Production accountant | Corinna Wollmann Postproduction | Postproduction |
Production accountant | Ursula Gaida | |
Post production supervisor | Melanie Berke | |
Director of photography | Florian Ballhaus | |
Costume designer | Anja Niehaus Kinofilm | Kinofilm |
Assistant costume designer | Katrin Unterberger | |
Costumer / wardrobe | Georgia Prem | |
Costumer / wardrobe | Valeska Zecher 2. Hälfte | 2. Hälfte |
Director | Robert Schwentke | |
Script continuity | Lucy Fricke | |
Editor | Hans Funck | |
Assistant editor | Andschana Eschenbach | |
Key grip | Trevor Watkins | |
Grip | Hanno Olderdissen | |
Gaffer | Voxi Bärenklau Lighting Designer | Lighting Designer |
Lighting technician / electrician | Oliver Haas | |
Lighting technician / electrician | Richard Nitsche | |
Lighting technician / electrician | Dirk Domcke | |
Lighting assistant | Sven Trebus | |
Producer | Oliver Huzly | |
Producer | Reinhard Klooss | |
Assistant to producer | Katia Hermann | |
Production designer | Patrick Steve Müller | |
Prop master | Jost Brand-Hübner | |
Standby props | Marco 'Hunter' Minierski | |
Property assistant | Julia Barberi | |
Location scout | Roland Gerhardt | |
Property driver | Alex Lambriev | |
Line producer | Anne Leppin | |
Assistant production manager | Simone Embacher | |
Unit manager (local system) | Gernot Sprenger | |
Set manager/ floor manager | Daniel Funke | |
Production assistant | Christoph Herkenrath Set | Set |
Screenwriter | Robert Schwentke | |
Production sound mixer | Bernd von Bassewitz | |
Boom operator | Christian Lutz | |
Supervising sound editor | Hanse Warns | |