2d artist | Jenny Meißner Title Design | Title Design |
Director of photography | Axel Schneppat | |
Director of photography | Jörg Jeshel | |
2nd unit dop | Axel Schneppat | |
1st assistant camera | Martin Langner | |
Still photographer | David Baltzer | |
Costume designer | Sven Bindseil | |
Assistant costume designer | Ulrike Tränkle | |
Costume interpreter | Daniela Bimek diverse Kostümanfertigungen | diverse Kostümanfertigungen |
Tailor | Tatjana Saller Anfertigungsunterstützung | Anfertigungsunterstützung |
Director | Volker Heise | |
Editor | Annette Muff | |
Editor | Wolfram Kohler | |
Assistant editor | Tim Reischmann | |
Assistant editor | Christina Preussker | |
Editing trainee | Christoffer Schulz | |
Key grip | Tobias Kaufmann | |
Crane operator | Marc Hennicke | |
Gaffer | Martin Roth [1] | |
Composer | Maurus Ronner | |
Composer | Jan Tilman Schade | |
Producer | Thomas Kufus | |
Production designer | Gabriella Ausonio historisch 1900 | historisch 1900 |
Assistant production designer | Birgit Krah | |
Prop master | Silvia Fischer | |
Standby props | Karola Rückholz Aussenrequisite | Aussenrequisite |
Location scout | Roland Gerhardt | |
Line producer | Hartwig König | |
Assistant production manager | Jan Schilde | |
Unit manager (local system) | Antje Krutz | |
Production secretary | Steffi Schulze | |
Researcher | Kerstin Hoppenhaus | |
Enquiry assistance | Kai Nicola Werner | |
Production sound mixer | Helen Neikes Sound editing | Sound editing |
Production sound mixer | Paul Oberle | |
Second boom operator | Oliver Lumpe | |
Sound designer | Helen Neikes | |
Foley recordist | Jochen Dorn | |
Foley artist | Peter Sandmann | |
Commissioning editor | Stefanie Groß | |
Commissioning editor | Rosemarie Wintgen | |
Consultant | Kerstin Hoppenhaus | |