Post production supervisor | Udo Happel für Studio Babelsberg GmbH | für Studio Babelsberg GmbH |
Colorist | Roland Fliß inkl. Telecine/Filmabtastung | inkl. Telecine/Filmabtastung |
Director of photography | Peter Przybylski | |
Steadicam operator | Christof Wahl | |
Assistant costume designer | Nicole Hutmacher | |
Director | Christian Alvart | |
Editor | Philipp Stahl | |
Assistant editor | Jonathan Schmidt-Ott | |
Key grip | Jan Brun key grip | key grip |
Gaffer | Andreas Ripcke zeitweise | zeitweise |
Gaffer | Marc Lubosch 4 Tage | 4 Tage |
Gaffer | Timm Brückner 1/2 Drehzeit | 1/2 Drehzeit |
Best boy electric | Peter Kramer für A. Ripcke | für A. Ripcke |
Lighting technician / electrician | Guntram Franke | |
Lighting technician / electrician | Jörn Christian Novotny mit Timm Brückner | mit Timm Brückner |
Lighting technician / electrician | Mark Müller | |
Lighting technician / electrician | Oli Koch 35mm, KM: Peter Przybylski | 35mm, KM: Peter Przybylski |
Composer | MichL Britsch | |
Composer | Wolfgang Thomas | |
Production designer | Holger Reibiger | |
Set builder | Sibylle Kappes | |
Production manager | Che André Bergendahl | |
Assistant production manager | David Bergendahl während des Drehs Catering | während des Drehs Catering |
Set manager/ floor manager | Mike Dehghan | |
Screenwriter | Christian Alvart | |
Sound re-recording mixer | Chris Müller [1] | |
Sound designer | Chris Müller [1] | |
Assistant sound designer | Nadja Schulz | |
Sound editor | Nadja Schulz Ass. O-Ton Edit, Sound Design | Ass. O-Ton Edit, Sound Design |
Stunt coordinator | Asuka Tovazzi Double HD | Double HD |