| Director of photography | Helmfried Kober
16mm | 16mm |
| 1st assistant camera | Snezana Anastasijevic | |
| 2nd assistant camera | Sascha El Gendi
16mm, SR3 | 16mm, SR3 |
| 2nd assistant camera | Oliver Schill | |
| Casting director | Hanna Hansen | |
| Costume designer | Mark Späth | |
| Costume designer | Gretl Kautzsch | |
| Director | Felicitas Darschin
Abschlussfilm HFF München | Abschlussfilm HFF München |
| 1st AD (local system) | Nicolai Bode
1.AD | 1.AD |
| Script continuity | Juliane Engelhardt | |
| Extras coordinator | Anna-Katharina Maier | |
| Editor | Uli Schön | |
| Crane operator | Stefan Sollich
Plattform & Remote | Plattform & Remote |
| Crane operator | Erwin Saumweber | |
| Gaffer | Reinhold Maul | |
| Lighting technician / electrician | Stefan Sollich | |
| Lighting technician / electrician | Uwe Hotz | |
| Makeup artist / hair stylist | Katharina Greendale
historisch 20er Jahre | historisch 20er Jahre |
| Assistant makeup artist | Marie-Luis Kepper | |
| Assistant makeup artist | Eva Leder | |
| Composer | Sami Hammi | |
| Producer | Egbert van Wyngaarden | |
| Producer | Felicitas Darschin
Ausführende Produktion | Ausführende Produktion |
| Co-producer | Florian Reimann | |
| Co-producer | Eckart Bruchner | |
| Production designer | Otto Kinzer | |
| Assistant production designer | Robert Windisch | |
| Assistant production designer | Andrea Basse
2. Szenenbildassistentin | 2. Szenenbildassistentin |
| Assistant production designer | Verena Kaupert | |
| Assistant production designer | Tobias Maier
historisch, 20er, 60er Jahre | historisch, 20er, 60er Jahre |
| Standby props | Bettina Sailer | |
| Line producer | Hans-Joachim Köglmeier | |
| Set manager/ floor manager | Hans Hege | |
| Assistant set/floor manager | Johann Faltermeier | |
| Screenwriter | Egbert van Wyngaarden | |
| Idea | Felicitas Darschin | |
| Boom operator | Boris Micheler | |
| Special effects supervisor | Jens Doeldissen | |
