Production accountant | Marion Möller | |
Post production coordinator | Moritz Wessendorff | |
Director of photography | Hans Fromm | |
1st assistant camera | Matthias Kapinos | |
2nd assistant camera | Kerstin Uhing | |
2nd assistant camera | Benjamin Raeder | |
Still photographer | Nadja Klier | |
Casting director | Simone Bär | |
Costume designer | Birgitt Kilian | |
Assistant costume designer | Gabriela Krampe | |
Director | Michael Klier | |
1st AD (local system) | Mirko Borscht | |
1st AD (local system) | Michael Gabat | |
Assistant to director | Verena S. Freytag Persönliche Assistenz | Persönliche Assistenz |
Script continuity | Ruth Tromboukis Nachdreh | Nachdreh |
Editor | Bettina Böhler | |
Assistant editor | Emmelie Mansee | |
Gaffer | Christoph Dehmel | |
Gaffer | Günter Berghaus erste Drehhälfte | erste Drehhälfte |
Lighting technician / electrician | Dirk Domcke | |
Lighting technician / electrician | Frank Musiol | |
Makeup artist / hair stylist | Daniel Schröder | |
Composer | Neil Black | |
Producer | Martin Hagemann | |
Production designer | Ingo Klier Regie: Michael Klier | Regie: Michael Klier |
Production designer | Tom Bewermeier | |
Art department assistant | Johanna Klier | |
Standby props | Claudia Schölzel | |
Production manager | Johannes Rexin | |
Unit manager (local system) | Herman Rohner | |
Set manager/ floor manager | Selay Esperling | |
Production assistant | Ruth Tromboukis | |
Production driver | Tom Strelow | |
Screenwriter | Michael Klier | |
Screenwriter | Undine Damköhler | |
Production sound mixer | Hermann Ebling | |