| Production accountant | Coreen Kaiser | |
| Digital compositor / compositing artist | Sebastian Locker | |
| Colorist | Felix Hüsken
Grading Digital Cinema Version 2024 | Grading Digital Cinema Version 2024 |
| Director of photography | Bernhard Keller | |
| Steadicam operator | Jürgen Husung | |
| Steadicam operator | Thomas Korda | |
| 1st assistant camera | Marco Lisicki (vormals Dreckmann)
HD, Pro 35, ultra primes | HD, Pro 35, ultra primes |
| Still photographer | Martin Lässig | |
| Camera trainee | Luise Schröder | |
| Casting director | Ulrike Müller | |
| Costume designer | Susa Sasserath | |
| Director | Christoph Hochhäusler | |
| 1st AD (local system) | Friedemann Roll | |
| Gaffer | Philipp Schmitz | |
| Best boy electric | Jörg Hartmann
Best Boy | Best Boy |
| Lighting assistant | Sebastian Schmitt
3 Tage Zusatz | 3 Tage Zusatz |
| Assistant makeup artist | Evelyn Book | |
| Producer | Bettina Brokemper | |
| Production designer | Beatrice Schultz
2005, cannes film festival, section: un certain regard | 2005, cannes film festival, section: un certain regard |
| Assistant production designer | Melanie Alsdorf | |
| Assistant production designer | Simon Empt | |
| Set decorator | Beatrice Schultz | |
| Prop master | Christiane Knobloch | |
| Location scout | Beatrice Schultz
Hauptmotiv | Hauptmotiv |
| Location scout | Rüdiger Jordan | |
| Set builder | Volker Kaiser | |
| Production manager | Sascha Verhey | |
| Assistant production manager | Jessica Pohl | |
| Unit manager (local system) | Georg Thorwarth | |
| Production assistant | Henner Berning
2ter Drehabschnitt | 2ter Drehabschnitt |
| Production sound mixer | Wolfgang Vogl
Tonmeister + BoomOP | Tonmeister + BoomOP |
| Sound supervisor | Wolfgang Herold | |
| Sound editor | Manuel Karakas | |
| Supervising sound editor | Max Wanko | |
