| Production accountant | Tina Daniel | |
| 3d artist | Jo Jacobs | |
| Digital compositor / compositing artist | Jasper Brandt | |
| Digital compositor / compositing artist | Matthias Wäsch
CinePostproduction | CinePostproduction |
| Vfx set supervisor | Marcin Kummer | |
| Digital intermediate assistant | Clemens Kindermann
Dailies, Finishing and Deliveries | Dailies, Finishing and Deliveries |
| Director of photography | Sonja Rom | |
| 1st assistant camera | Anna Schenk
B-Cam | B-Cam |
| 1st assistant camera | Bernhard Weise
1DT Bcam Arri Alexa | 1DT Bcam Arri Alexa |
| 1st assistant camera | Axel Stock
1 DT Zusatz, Alexa | 1 DT Zusatz, Alexa |
| 2nd assistant camera | Laila Sieber | |
| 2nd assistant camera | Alexander Probst | |
| Data wrangler / digital loader | Marjan Grünewald
ALEXA 2K | ALEXA 2K |
| Video assist/playback operator | Marjan Grünewald | |
| Still photographer | Britta Krehl | |
| Casting director | Dorothee Weyers | |
| Costume designer | Majie Pötschke | |
| Assistant costume designer | Diana Gollmer | |
| Costumer / wardrobe | Nicole Schnabel | |
| Director | Andreas Senn | |
| 1st AD (local system) | Frank A. Schneider | |
| Crowd 2nd AD (local system) | Michel Dulisch | |
| Script continuity | Nataly Dietz | |
| Assistant editor | Antje Ulrich | |
| Assistant editor | Daniela Grosch
2. Schnittassistenz | 2. Schnittassistenz |
| Key grip | Elmar Suska
Key Grip | Key Grip |
| Grip | Olaf Richter | |
| Best boy electric | Andreas Knäblein | |
| Lighting technician / electrician | Björn Schäfer | |
| Additional electrician | Stephan Große | |
| Lighting assistant | Bernd Kremer | |
| Lighting assistant | Felix Sablotny
additional 1 day | additional 1 day |
| Lighting trainee | Yuri Salvador | |
| Makeup artist / hair stylist | Janet Selcuk | |
| Makeup artist / hair stylist | Katja Melches | |
| Additional make up artist | Nina von Harling | |
| Composer | Fabian Römer | |
| Producer | Rima Schmidt | |
| Producer | Kathrin Tabler | |
| Production designer | Anke Osterloh | |
| Assistant production designer | Bibbi Müller | |
| Prop master | Gregor Rieger | |
| Standby props | Jutta Lilli Erasin | |
| Location scout | Tobias Palmer | |
| Property driver | Timo Nonnenbroich | |
| Art department trainee | Moritz Kolf | |
| Production manager | Rolf Schleitzer | |
| Calculation | Peter Wilms | |
| Production supervisor | Peter Wilms | |
| Unit manager (local system) | Peter Wilms | |
| Location manager (local system) | Stefan Hübert
Berlin / Potsdam | Berlin / Potsdam |
| Set manager/ floor manager | Gisela Emberger | |
| Production driver | Ronald Wittkowski | |
| Set runner | David Koch | |
| Set runner | Luisa Laute | |
| Screenwriter | Matthias Tuchmann | |
| Screenwriter | Stefanie Veith | |
| Literary source | Antonia Rothe-Liermann | |
| Literary source | Katrin Milhahn | |
| Production sound mixer | Jürgen Göpfert | |
| Boom operator | Karsten Paarmann | |
| Sound supervisor | Jürgen Schulz [1]
+ Sounddesign + OT-Bearbeitung | + Sounddesign + OT-Bearbeitung |
| Foley artist | Peter Deininger | |
| Special effects supervisor | Michael Bouterweck
Pyrotechnik Bouterweck GmbH | Pyrotechnik Bouterweck GmbH |
| Armorer | David Bronke | |
| Stunt coordinator | Rainer Werner | |
| Stuntman/woman | Cecilia Diesch
Stuntdouble Anna | Stuntdouble Anna |
| Commissioning editor | Esther Hechenberger | |
