| Director of photography | Moritz Anton
16mm | 16mm |
| 1st assistant camera | Philipp Schöttner | |
| Casting director | Katharina Rinderle | |
| Director | Robert Kellner | |
| 1st AD (local system) | Daniela Doll | |
| Script continuity | Susanna Duda
Skript | Skript |
| Editor | Katharina Rinderle
Final Cut | Final Cut |
| Editor | Sabine Panek | |
| Camera car driver | Mathieu Rech | |
| Gaffer | Mirco Lenke | |
| Lighting technician / electrician | Boris Lohmeyer
Ersatz 1 Tag | Ersatz 1 Tag |
| Lighting technician / electrician | Sergey Kahun | |
| Makeup artist / hair stylist | Lisa Thies | |
| Makeup artist / hair stylist | Carina Häusler | |
| Makeup artist / hair stylist | Art Gregor | |
| Music supervisor | Katharina Rinderle | |
| Creative producer | Katharina Rinderle
Produzentin Abschlussfilm (35mm Blow up) | Produzentin Abschlussfilm (35mm Blow up) |
| Production designer | Iris Trescher
abschlußfilm HMS | abschlußfilm HMS |
| Prop master | Tim Tamke | |
| Standby props | Doga Cigsar | |
| Production manager | Katharina Rinderle | |
| Unit manager (local system) | Katharina Rinderle | |
| Unit manager (local system) | Rike Steyer | |
| Set manager/ floor manager | Lisa Mary Kracke | |
| Set manager/ floor manager | Nils Nobmann
1 Tag | 1 Tag |
| Set manager/ floor manager | Keke Pietzke | |
| Assistant set/floor manager | Nils Nobmann | |
| Screenwriter | Samuel Schultschik | |
| Production sound mixer | Miguel Murrieta Vásquez
1. Hälfte | 1. Hälfte |
| Production sound mixer | Daniel de Homont
2. Hälfte | 2. Hälfte |
| Production sound mixer | Rolf Manzei | |
