| Post production supervisor | Uli Schön | |
| Director of photography | Jan Fehse | |
| 2nd unit dop | Patrick Waldmann | |
| 2nd assistant camera | Aurel Wunderer | |
| Still photographer | Conny Klein | |
| Costume designer | Linda Harper | |
| Assistant costume designer | Heike Schenck-Wuttke
Vorbereitung | Vorbereitung |
| Costumer / wardrobe | Dörte Schneider [1] | |
| Director | Esther Gronenborn | |
| 1st AD (local system) | Anna Annett Schuchardt
in Projektvorbereitung | in Projektvorbereitung |
| Trainee director's department | Jana Oberdoerffer
and casting assistant | and casting assistant |
| Editor | Christian Lonk | |
| Assistant editor | Beatrice Deom | |
| Key grip | Hannes Staehle | |
| Gaffer | Timm Brückner | |
| Best boy electric | Martin Erbe | |
| Lighting technician / electrician | Jörn Christian Novotny
additional electrician | additional electrician |
| Lighting technician / electrician | Benjamin Dreythaller | |
| Lighting assistant | Florian Kronenberger | |
| Music supervisor | Frank Jastfelder | |
| Co-producer | Kirsten Sohrauer
Entwicklung & Drehbetreuung | Entwicklung & Drehbetreuung |
| Production designer | Tom Hornig | |
| Location scout | Tobias Palmer | |
| Line producer | Peter Hartwig | |
| Production manager | Anja Firmenich | |
| Assistant production manager | Catharina Findeisen | |
| Unit manager (local system) | Almut Joswig | |
| Assistant unit manager | Sonja Kirch | |
| Production driver | Steffen Haronitis | |
| Screenwriter | Esther Gronenborn | |
| Sound designer | Eckhard Blach
Sounddesigner | Sounddesigner |
| Foley editor | Hendrik Lühdorff | |
| Foley artist | Peter Roigk | |
