| Director of photography | Jochen Radermacher | |
| 1st assistant camera | Robert Preschel
und zweite Kamera / S 16 mm | und zweite Kamera / S 16 mm |
| 2nd assistant camera | Marnie Meyer
Focus B-Kamera | Focus B-Kamera |
| Still photographer | Barbara Bauriedl | |
| Costume designer | Barbara Ehret | |
| Assistant costume designer | Stefanie Schroeter | |
| Costumer / wardrobe | Heike Rudhart | |
| Director | Gloria Behrens | |
| 1st AD (local system) | Gigi Neal | |
| Script continuity | Susan Colak | |
| Editor | Monika Bergmann | |
| Assistant editor | Gunnar von Voss | |
| Key grip | Christian Weber | |
| Grip | Tino Heidenreich | |
| Gaffer | Helge Schwarz [1] | |
| Best boy electric | Linus Liermann | |
| Lighting technician / electrician | Felix Buchholz | |
| Lighting assistant | Marc Steck | |
| Lighting assistant | Phillip Senger
1. Woche | 1. Woche |
| Makeup artist / hair stylist | Sascha Kolmikow
Maskenbildner | Maskenbildner |
| Assistant makeup artist | Mona Herbold | |
| Producer | Stephanie Krenzler | |
| Production designer | Gabi Pohl | |
| Standby props | Susanne Meding | |
| Prop hand | Timmy Göres | |
| Production manager | Rainer Wiehr | |
| Assistant production manager | Natalie Stelzl | |
| Unit manager (local system) | Lisa Schmidt | |
| Set manager/ floor manager | Daniel Rieder | |
| Production driver | Max Dario Albrecht | |
| Production driver | Annette Klarmann | |
| Set runner | Josefine Wirrig | |
| Screenwriter | Nicole Walter-Lingen | |
| Screenwriter | Antje Bähr | |
| Literary source | Utta Danella | |
| Production sound mixer | Bela Golya | |
| Boom operator | Till Ortner-Zintel
Teil | Teil |
| Boom operator | Lutz Pape | |
| Stuntman/woman | Giacomo Strasser
Rolle (Bauer) | Rolle (Bauer) |
| Commissioning editor | Claudia Grässel | |
