© Kolja Raschke
- Actress
- speaker
Born 1988 (35 Years)
Basic data
| Languages | CzechEnglishFrenchGermanItalianNorwegianRussianSpanish |
|---|---|
| Dialects | American (Standard), Berliners, British (Standard), Hamburgisch, Quebec (French), Swabian |
| Singing | A cappellaChansonClassicJazzOperaRock/Pop |
| Instruments | guitarpianoviolin |
| Skills (dance) | Argentine TangoBalletContact ImprovisationContemporary DanceHip HopHistorical DanceJazzdanceModern DanceSalsaStandardTap Dance |
| Skills (sports) | basketballfigure skatinghorseback ridingice skatingkick boxingpilatesrock climbingskiingswimmingvaultingvolleyballwestern ridingyoga |
| Immediate working area | Berlin |
| 2nd residence (if applicable) | New York |
| 1st residence (federal state or country) | Germany - Berlin |
| Nationality | German, U.S.-American |
| Licences | B (car) [eu] |
Agencies
Alain Van Goethem
Belgium
Phone+32 468 233031
Mobile+32 468 233031
Phone+49 30 887144-0
Training
| Year | |
|---|---|
| 2021/3 | ACTING IN FILM: CAMERA CLOSE-UP & THE ALEXANDER TECHNIQUE (Workshop with Jean-Louis Rodrigue & Kristof Konrad) |
| 2020/10 | iSFF - Institut für Schauspiel-, Film- und Fernsehberufe an der Volkshochschule Berlin Mitte [de] (CASTING-TRAINING - Uwe Bünker, Jordan Beswick, H. Hanold-Lynch, Rita Waszilovics) |
| 2017/11 | EMBODYING THE CHARACTER (Workshop with Jean-Louis Rodrigue & Kristof Konrad (New York) |
| 2015 to 2017 | Alexander Technique (Judith Grodowitz) |
| 2012 to 2013 | Masterclass with William Esper |
| 2010/9 to 2012/6 | William Esper Studio | Professional Actor Training (New York) (William Esper, Nancy Mayan, Ted Morin, Per Brahe) |
| 2009/4 | Larry Moss Coaching [us] (Workshop Szenenstudium) |
| 2008/11 | Aufnahme in ZAV (Bühne, Film & Fernehen) |
| 2008 | ACTING FOR FILM (Workshop with Mel Churcher (London) |
Awards
| Year | Award |
|---|---|
| 2012 | NYC First Ancient Drama Festival Winner (USA) - Actress in a Leading Role (Andromache) |
Movies as actress
| Year | Title | Genre |
|---|---|---|
| 2022 | Es brennt | Feature Film |
| 2022 | Sauk City | Short Film |
| 2022 | Gossip Girl | TV Series, [HBO Max] |
| 2022 | Geschlossene Gesellschaft - Schauspielende im Fegefeuer | Independent Feature Film |
| 2022 | Druck | TV Series, funk [de], ZDFneo [de] |
| 2022 | The Gallery | Short Film |
| 2020 | The Chicken | Short Film |
| 2019 | Heritage | Independent Feature Film |
| 2018 | Katie Fforde - Wachgeküsst | TV-Movie (Series), ZDF [de] |
| 2018 | The Beating Hearts Chronicles (NOT RELEASED) (WT) | Series |
| 2018 | Tatort - Der Pakt | TV-Movie (Series), ARD [de] |
| 2017 | The Path | TV Series |
| 2017 | Die Bergretter | TV Series, ZDF [de] |
| 2017 | Tatort - Mord ex Machina | TV-Movie (Series), ARD [de], SR [de] |
| 2016 | Der gute Bulle | TV-Movie (Series), ZDF [de] |
| 2016 | Tatort - Söhne und Väter | TV-Movie (Series), SR [de] |
| 2015 | Tatort - Totenstille | TV-Movie (Series), SR [de] |
| 2015 | Die Pfefferkörner | TV Series, ARD [de], NDR [de] |
| 2015 | Kehlkopfschuss | Medium Length Film |
| 2015 | Two Roads (WT) | Short Film |
Theatre engagements
| Year | Production name | Theatre |
|---|---|---|
| 2021 | Twelfth Night | Kombinat 030 |
| 2020 | Die Mittelmeer-Monologe (Telefon Theater) | Wort und Herzschlag/ Bühne für Menschenrechte |
| 2019 | Die Mittelmeer-Monologe | Bühne für Menschenrechte/ Goethe Institut |
| 2018 | Elegies - Lieder für Engel, Punks und Dramaqueens | Admiralspalast Berlin |
| 2016 | Maybe Never Fell (Workshop) | Axial Theater, NY |
| 2013 - 2014 | A Serious Banquet | New York Theater Workshop & Judson Church NYC |
| 2013 | Faust | Horace-Mann-Theater, NYC |
| 2013 | Blue Moon | Shapiro Theater, NYC |
| 2012 | Die Bakchen | Shapiro Theater, NYC |
| 2012 | Geheimnisse/ Secrets | Mama Foundation For The Arts, NYC |
| 2012 | Spoonriver Anthology | Columbia Stages, NYC |
| 2012 | Tango Fever | Teatro LaTea, NYC |
| 2012 | Helen von Troja | La MaMa, NYC |
| 2012 | Andromache | Hellenic Cultural Center, NYC |
| 2010 | Happy End | Landestheater Niederösterreich |
| 2009 | Das Hörlabor | Altonale (Soundhafen Hamburg) |
| 2008 - 2009 | Chatroom | Mecklenburgisches Landestheater Parchim |
| 2008 | Happy End | St. Pauli Theater; Hamburg |
| 2008 | Pippi Langstrumpf | Mecklenburgisches Landestheater; Parchim |
| 2007 - 2008 | Das Shakespeare- Kartell | Theater NN; Hamburg |
Speaker engagements
| Year | Title | Project type |
|---|---|---|
| 2022 | ilb 2022 | "The Hanged Man of Conakry” & "Abyss” |
| 2021 | ilb 2021 | "Earthlings" & "Untold Night and Day" |
| 2006 | Frauen gestalten Frauengestalten | Szenische Lesung |
Basic data
| Height | 176 cm |
|---|---|
| Body type | slim |
| Clothing size | 36/38 |
| Ethnic appearance | east european, scandinavian, white central european |
| Hair colour | blond |
| Hair length | medium |
| Eye colour | green |
| Nationality | German, U.S.-American |
| Languages | CzechEnglishFrenchGermanItalianNorwegianRussianSpanish |
| Dialects | American (Standard), Berliners, British (Standard), Hamburgisch, Quebec (French), Swabian |
| Voice type | soprano |
| Singing | A cappellaChansonClassicJazzOperaRock/Pop |
| Instruments | guitarpianoviolin |
| Skills (dance) | Argentine TangoBalletContact ImprovisationContemporary DanceHip HopHistorical DanceJazzdanceModern DanceSalsaStandardTap Dance |
| Skills (sports) | basketballfigure skatinghorseback ridingice skatingkick boxingpilatesrock climbingskiingswimmingvaultingvolleyballwestern ridingyoga |
| Special skills | Stage Combat, Acro Yoga |
| Experience abroad | Central Europe: Austria, Lithuania North America: USA |
| Licences | B (car) [eu] |
| Immediate working area | Berlin |
| 2nd residence (if applicable) | New York |
| 1st residence (federal state or country) | Germany - Berlin |
| Accommodation possibilities | Buenos Aires, Cologne, Hamburg, London, Los Angeles, Munich, New York, Porto, Stockholm, Stuttgart, Vienna, Vilnius, Zurich |
| Associations |