Director of photography | Maximilian Hoever S-16mm | S-16mm |
1st assistant camera | Christine Niemann 16mm, 40-Minüter | 16mm, 40-Minüter |
2nd assistant camera | Steffi Scherf | |
Video assist/playback operator | Justus Hoever | |
Director | Sarah Judith Mettke | |
1st AD (local system) | Christoph Joecker 40min / 16mm | 40min / 16mm |
Script continuity | Susanne Wagner [1] | |
Key grip | Florian Ritter | |
Gaffer | Yoshi Heimrath | |
Lighting technician / electrician | Marco Fischer Best Boy | Best Boy |
Lighting technician / electrician | Stephan Große | |
Lighting technician / electrician | Simon Denda Best Boy | Best Boy |
Lighting technician / electrician | Markus Koch | |
Lighting technician / electrician | Gabriel Lobos | |
Lighting technician / electrician | Duy Anh Pham | |
Makeup artist / hair stylist | Dana Bieler | |
Composer | Karol Obara | |
Producer | Amelie Küster | |
Associate producer | Steffen Wilhelm | |
Production designer | Indra Nauck | |
Assistant production designer | Karolina Serafin | |
Prop master | Ole Voss | |
Standby props | Terence Weissbrodt und Szenenbildhelfer | und Szenenbildhelfer |
Location scout | Jakob Neuhäusser | |
Assistant set/floor manager | Cleo Schrieb | |
Set runner | Marcell Friese | |
Screenwriter | Sarah Judith Mettke | |
Production sound mixer | Andrew Mottl | |
Boom operator | David Dimartino | |
Boom operator | Alexander Würtz | |
Sound re-recording mixer | Christian Heck + Sound Design | + Sound Design |
Sound designer | Christian Heck | |
Sound designer | Karol Obara | |
Dialogue editor | Andrew Mottl | |