Telecine operator | Philip Whitfield Final Grading Colorist | Final Grading Colorist |
Director of photography | Volker Tittel | |
1st assistant camera | Holger Fleig | |
Still photographer | Thomas Kost | |
Casting director | Sabine Weimann | |
Casting trainee | Sebastian Bonde | |
Costume designer | Heidrun Hermes | |
Director | Walter Weber | |
1st AD (local system) | Kirsten Sohrauer | |
Script continuity | Caroline Krebsfänger | |
Assistant editor | Sibyll Mehmert | |
Assistant editor | Victor Rosario | |
Gaffer | Frank Weber | |
Best boy electric | Sebastian Daszkiewicz-Meijer | |
Lighting technician / electrician | Jochen Stieler | |
Lighting assistant | Henning Battenfeld | |
Additional make up artist | Julia Rand | |
Composer | Fabian Römer | |
Producer | Micha Terjung | |
Producer | Anton Moho | |
Production designer | Thomas Schmid | |
Assistant production designer | Cora Pratz | |
Assistant to propmaster /- buyer | Lena Bornträger | |
Location scout | Abi Roos Zusatzmotiv | Zusatzmotiv |
Set builder | Ralf Winterhalder | |
Art department trainee | Katia Kandziora | |
Line producer | Michael Hahn | |
Assistant to line producer | Stephan Schulz [1] Kalkulation und Drehplan | Kalkulation und Drehplan |
Assistant production manager | Simone Reucher | |
Unit manager (local system) | Dirk Seibert ab 3. Drehtag | ab 3. Drehtag |
Set manager/ floor manager | Skipper Norden | |
Production driver | Markus Eberhardt | |
Production driver | Friedegard-Nelly Schunk | |
Set runner | Stefanie Monheim | |
Screenwriter | Ecki Ziedrich | |
Boom operator | Oliver Schößler | |
Commissioning editor | Martin R. Neumann | |