| Production accountant | Birgit Döhring | |
| VFX production coordinator | Phillipp Sauermann
Black Sail Pictures GmbH | Black Sail Pictures GmbH |
| Colorist | Philipp Horsch | |
| Director of photography | Peter Steuger
*historical-1973 | *historical-1973 |
| 2nd unit dop | Daniel Horn | |
| Camera operator | Daniel Horn
b-kamera 15 dt und 2nd Unit dp | b-kamera 15 dt und 2nd Unit dp |
| 1st assistant camera | Manuel Steer
B Kamera | B Kamera |
| 1st assistant camera | Michael Siebert | |
| 2nd assistant camera | Milan Bardo Bergheim | |
| Data wrangler / digital loader | Peer Heinzel | |
| Video assist/playback operator | Jens Jung [1] | |
| Casting director | Ursula Danger | |
| Costume designer | Ute Grenz
historisch, 1978 | historisch, 1978 |
| Assistant costume designer | Diana Güven | |
| Costumer / wardrobe | Susanne Vierkötter | |
| Costume interpreter | Lars König
Atelierleiter Theaterkunst | Atelierleiter Theaterkunst |
| Director | Christoph Röhl | |
| 1st AD (local system) | Torsten Junker | |
| Crowd 2nd AD (local system) | Dennis Eichhof
sub last 2 weeks | sub last 2 weeks |
| Script continuity | Jeanette Diszler
Odenwald | Odenwald |
| Actor coach (children) | Brigitte Simons | |
| Editor | Bernd Schriever | |
| Editor | Vessela Martschewski | |
| Assistant editor | Tobias Marschall | |
| Key grip | Daniel Horn | |
| Grip | Jerome Lauer
Dolly Grip | Dolly Grip |
| Gaffer | Klaus Bieling | |
| Best boy electric | Ralf Prokopp | |
| Lighting technician / electrician | Michael Rieck | |
| Makeup artist / hair stylist | Katrin Schneider
Historisch 1978 | Historisch 1978 |
| Makeup artist / hair stylist | Margarita Rasbasch
3.Maske,hist.70er | 3.Maske,hist.70er |
| Makeup artist / hair stylist | Maike Heinlein
historisch 70er + SFX | historisch 70er + SFX |
| Additional make up artist | Heidi Debbah
,Haupt-Zusatzmaske | ,Haupt-Zusatzmaske |
| Additional make up artist | Stefanie Lange
70er | 70er |
| Composer | Ali N. Askin | |
| Producer | Hans-Hinrich Koch | |
| Assistant to producer | Anna Neudert | |
| Production designer | Erwin W. Prib | |
| Assistant production designer | Natalie Wild | |
| Art director | Steffen Geitner | |
| Set decorator | Sabin Enste
historisch, 70/80er | historisch, 70/80er |
| Art department assistant | Nadja Götze | |
| Prop master | Sabin Enste | |
| Standby props | Kay Schilling | |
| Location scout | Yvonne Wassong | |
| Location scout | Johannes Eppinger
Odenwald / Hessen | Odenwald / Hessen |
| Scenic painter | Eva-Maria Müller | |
| Graphic artist | Sabine Steinhof | |
| Property driver | Timo Nonnenbroich | |
| Property driver | Peter Baro | |
| Line producer | Thomas Bretschneider | |
| Assistant to line producer | Andreas Messerschmidt | |
| Production manager | Ingo Preuß | |
| Assistant production manager | Martina Christian
Odenwald | Odenwald |
| Unit manager (local system) | Tarik Erpinar
Regie Christoph Röhl | Regie Christoph Röhl |
| Location manager (local system) | Manuel Stülten
Hessen | Hessen |
| Set manager/ floor manager | Arne Regul
Odenwald | Odenwald |
| Assistant set/floor manager | Florian Kemnitz | |
| Production driver | Matthias Preiß | |
| Production driver | Tillmann Haring | |
| Set runner | Tobias Haag | |
| Set runner | Lisa van Brakel
Produktionspraktikantin | Produktionspraktikantin |
| Screenwriter | Sylvia Leuker | |
| Screenwriter | Benedikt Röskau | |
| Production sound mixer | Manfred Banach | |
| Boom operator | Dirk-Teo Schäfer | |
| Sound re-recording mixer | Hubertus Rath | |
| Sound designer | Christoph von Schönburg | |
| Supervising sound editor | Christoph von Schönburg | |
| Adr recordist | Ben Bartosz Raduj | |
| Dialogue editor | Eva Claudius | |
| Stunt coordinator | Jürgen Klein | |
| Stuntman/woman | Marcel Stefanski | |
| Commissioning editor | Dr. Götz Vogt | |
| Commissioning editor | Roman Klink | |
| Animal trainer | Petra Geier
Golden Retriever und Spinne | Golden Retriever und Spinne |
| Child supervisor | Stephanie Höll | |
