| Production accountant | Hans-Jürgen Bubser | |
| Post production supervisor | Marc Wächter | |
| Telecine operator | Martin Becker | |
| Telecine operator | Mathias Lilie | |
| Director of photography | Ivan Strasburg | |
| 1st assistant camera | Rolf Rosendahl
Focus A-Kam Moviecam SL | Focus A-Kam Moviecam SL |
| 2nd assistant camera | Miriam Faßbender | |
| Casting director | Anja Dihrberg-Siebler | |
| Director | Michael Caton-Jones | |
| Editor | Christian Lonk | |
| Producer | Jens Meurer | |
| Producer | David Belton | |
| Producer | Pippa Cross | |
| Production designer | Bertram Strauß | |
| Art director | Astrid Sieben | |
| Standby props | Sandra Münchenbach
stand by art director | stand by art director |
| Line producer | Oliver Damian
Egoli Tossell Film | Egoli Tossell Film |
| Production manager | Christoph Wolf
Produktionsleiter Deutschland | Produktionsleiter Deutschland |
| Screenwriter | David Wolstencroft | |
| Script translator | Max Limper
Übers. f. Filmförderantrag | Übers. f. Filmförderantrag |
| Sound editor | Hanse Warns
Crowds, Foley,Foley recording | Crowds, Foley,Foley recording |
| Sound editor | Kai Schoormann
Foley | Foley |
| Supervising sound editor | Frank Kruse | |
| Foley recordist | Christoph Oertel | |
| Dialogue editor | Daniel Iribarren | |
| Adr mixer | Alexander Weuffen
deutsche Fassung | deutsche Fassung |
| Foley artist | Carsten Richter | |
