Director of photography | Gian Enrico Bianchi | |
Camera operator | Robert Stopfer A-Cam/Steadicam | A-Cam/Steadicam |
Steadicam operator | Robert Stopfer | |
1st assistant camera | Nino Volpe | |
1st assistant camera | Christian Burgos | |
1st assistant camera | Engelbert Obex | |
1st assistant camera | Thea Adlung | |
1st assistant camera | Thomas Schönbrunn Alexa | Alexa |
DIT digital imaging technician | Gerhard Riesenhuber 2x ARRI Alexa | 2x ARRI Alexa |
Costumer / wardrobe | Sonja Ameshofer | |
Director | Robert Dornhelm | |
1st AD (local system) | Irene Iversen 1st AD | 1st AD |
Crowd 2nd AD (local system) | Armin Pellegrini | |
Script continuity | Susanne Nowotny | |
Key grip | Alexander Preisch | |
Gaffer | Norbert Brandt | |
Lighting technician / electrician | Engelbert Obex | |
Lighting technician / electrician | Herwig Gruber 2 Wochen | 2 Wochen |
Lighting technician / electrician | Robert Mayr Best Boy | Best Boy |
Key makeup artist/hair stylist | Andrea Lehner SPEZIELLES VEREISUNGS MAKE UP | SPEZIELLES VEREISUNGS MAKE UP |
Assistant production designer | Mira Schindler | |
Set builder | Michael Pflug Vorbau diverse Motive | Vorbau diverse Motive |
Property driver | Johannes Berkovc | |
Production coordinator | Gabriele Dutzi | |
Unit manager (local system) | Oliver Lentz | |
Set manager/ floor manager | Alexander Oberhauser | |
Assistant set/floor manager | Martin Schlögl | |
Production driver | Simone Mo Pischl | |
Screenwriter | Paolo Logli | |
Screenwriter | Riccardo Irrera | |
Screenwriter | Alessandro Pondi | |
Screenwriter | Mauro Graiani | |
Boom operator | Roland Winkler | |