| Vfx supervisor | Martin Bohm | |
| Compositing supervisor | Matthias Wäsch
CinepostProduction | CinepostProduction |
| Motion capture supervisor | Mario Anger | |
| Colorist | Horst Riediger | |
| Director of photography | Dylan E. Thompson | |
| 1st assistant camera | Till Gottschalk | |
| DIT digital imaging technician | Torsten Schimmer | |
| DIT digital imaging technician | Christian Klimke
3D mit PMW-F3 auf P+S Freestyle Rig | 3D mit PMW-F3 auf P+S Freestyle Rig |
| DIT digital imaging technician | Marcel Weise | |
| Assistant to stereographer | Torsten Schimmer | |
| Data wrangler / digital loader | Ugur Yildirim
| Sony F3 | | Sony F3 |
| Stereographer | Sönke Kirchhof | |
| Costume designer | Elena Knittelfelder | |
| Assistant costume designer | Phoebe Hess | |
| Director | Philipp Glauner | |
| 1st AD (local system) | Oliver Dresselhaus | |
| Script continuity | David Peichl | |
| Script continuity | Julia Niethammer
Stereo 3D Continuities / Script | Stereo 3D Continuities / Script |
| Best boy electric | Toni Schultz | |
| Lighting technician / electrician | Konrad Koeppel | |
| Lighting technician / electrician | Heinrich Harndt | |
| Lighting technician / electrician | Nicole Sperhake | |
| Lighting technician / electrician | Jacek Krupa | |
| Key makeup artist/hair stylist | Elena Irsigler | |
| 3D stereo producer | Sönke Kirchhof | |
| Creative producer | Sönke Kirchhof | |
| Production designer | Josef Schmidt
Visuelles Konzept Realdreh, Prop Maker | Visuelles Konzept Realdreh, Prop Maker |
| Set dresser | Daniel Brennecke | |
| Set manager/ floor manager | Daniel Satler | |
| Assistant set/floor manager | Boris Seewald
1 DT | 1 DT |
| Screenwriter | Philipp Glauner | |
| Co-writer | Martin Bohm | |
| Production sound mixer | Sven Junge | |
| Caterer (assistance on set) | Constance Nünke | |
| Caterer (assistance on set) | Birte Janata | |
